Apart from the tangible rewards, the optional story-driven objectives are just as interesting.
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There’s also the possibility of finding a useful new tool, armor upgrade, or weapon modification to install at a workbench. You don’t need food and water to survive, but ammunition is always at a premium and resources are vital for crafting medical supplies, gas mask filters, Molotov cocktails, and even for cleaning your weapons to prevent them from jamming in the heat of battle. Thorough exploration is highly recommended, especially on the more challenging and survival-centric difficulty modes.
Each zone is peppered with interesting landmarks, whether marked on your clipboard map through conversations or spotted from an elevated vantage point with your binoculars. Metro Exodus does a nice job mixing some claustrophobic compounds, tunnels, and buildings in with the sprawling and devastated open wasteland. The player is given a few interesting physical options during conversations, but his lack of verbal responses severely hinders his emotional engagement with the rest of the cast. Yet, as is the case in many character-driven video games, Artyom is the only character without a voice box, save for his journal readings during loading screens. Whether Glukhovsky took any scribing inspiration from legendary Russian author Boris Pasternak is unclear, though it’s hard not to be instantly drawn to Doctor Zhivago as you trek through the story aboard a train.
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The game begs you to pause, at times for several minutes, to listen to the conversations of both friends and enemies and soak in the entire novel from series author Dmitry Glukhovsky. Moving forward through the story takes you into the open world, exploring sizeable maps not just of a bitter Russian winter, but scorching deserts and deep, autumnal forests.Įvery squadmate and civilian that joins your journey has a distinct and likeable personality, their own motivations, and a lengthy script that really helps understand and develop an emotional connection to them. Indeed, “Exodus” was the proper label for this story, as your ventures in the metro come to an abrupt breach after the introductory chapter. Mention of the supernatural Dark Ones that permeated much of the first two games story arc are mere whispers, as the focus now for Artyom is to find uncorrupted life and a habitable place outside the tight confines of the titular subway system beneath the nuclear wasteland of Moscow. Playing once again as the mainstay protagonist Artyom, Metro Exodus takes place two years after the conclusion of the previous game, Metro: Last Light. As it was with the two previous entries in the Metro video game trilogy, Exodus tunes out the cries for multiplayer, instead delivering a textually flawless storyline and some great gameplay mechanics, yet still succumbing to hiccups, with regards to the AI.
First-person shooters may be a dime a dozen, and battle royales are stealing the social airwaves, but if you’re yearning for a more personal and resonant FPS adventure, Metro Exodus is a breath of fresh, radioactive air.
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